教師公開招聘英語學科筆試試卷題2

http://chongqing.hteacher.net 2023-05-04 14:32 重慶教師招聘 [您的教師考試網(wǎng)]

 Fifteen years ago, I took a summer vacation in Lecce in southern Italy. After climbing up a hill for a panoramic (全景的) view of the blue sea, white buildings and green olive trees, I paused to catch my breath and then positioned myself to take the best photo of this panorama.

Unfortunately, just as I took out my camera, a woman approached from behind, and planted herself right in front of my view. Like me, this woman was here to stop, sigh and appreciate the view.

Patient as I was, after about 15 minutes, my camera scanning the sun and reviewing the shot I would eventually take, I grew frustrated Was it too much to ask her to move so I could take just one picture of the landscape? Sure, I could have asked her, but something prevented me from doing so. She seemed so content in her observation. I didn’t want to mess with that.

Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo anyway. And now when I look at it, I think her presence in the photo is what makes the image interesting. The landscape, beautiful on its own, somehow comes to life and breathes because this woman is engaging with it. This photo, with the unique beauty that unfolded before me and that woman who “ruined” it, now hangs on a wall in my bedroom. What would she think if she knew that her figure is captured and frozen on some stranger’s bedroom wall? A bedroom, after all, is a very private space, in which some woman I don’t even know has been immortalized. In some ways, she lives in my house. Perhaps we all live in each other’s spaces. Perhaps this is what photos are for: to remind us that we all appreciate beauty, that we all share a common desire for pleasure, for connection, for something that is greater than us.

That photo is a reminder, a captured moment, an unspoken conversation between two women, separated only by a thin square of glass.

45. What happened when the author was about to take a photo?

A. Her camera stopped working.

B. A woman blocked her view.

C. Someone asked her to leave.

D. A friend approached from behind.

45.【答案】B

【解析】細節(jié)理解題。根據(jù)第二段第一句“Unfortunately, just as I took out my camera, a woman approached from behind, and planted herself right in front of my view.”可知，在我準備拍照的時候，一個女人從后面走近我，杵在我面前擋住了我的風景。故選B。

46. In the author’s opinion, what makes the photo so alive?

A. The rich color of the landscape.

B. The perfect positioning of the camera.

C. The woman’s existence in the photo.

D. The soft sunlight that summer day.

46.【答案】C

【解析】細節(jié)理解題。根據(jù)第四段第四句“I think her presence in the photo is what makes the image interesting.”可知，作者認為照片上的女人使得照片很有趣。故選C。

47. The photo on the bedroom wall enables the author to better understand ______.

A. the need to be close to nature

B. the importance of private space

C. the joy of the vacation in Italy

D. the shared passion for beauty

47.【答案】D

【解析】細節(jié)理解題。根據(jù)倒數(shù)第二段最后一句“Perhaps this is what photos are for: to remind us that we all appreciate beauty, that we all share a common desire for pleasure, for connection, for something that is greater than us.”可知，作者認為這就是照片的作用：提醒我們都欣賞美，我們都有尋求快樂、親近以及超越我們的渴望。故選D。

48. The passage can be seen as the author’s reflections upon ______.

A. a particular life experience

B. the pleasure of traveling

C. the art of photography

D. a lost friendship

48.【答案】A

【解析】主旨大意題。最后兩段內容是作者這次特殊經歷的感悟的總結，所以這篇文章可以看作是作者對于一次特殊經歷的深入思考。故選A。

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